January 2026
Dear Opera Club of Wakefield members and friends,
Tempus fugit!
Time truly does fly.
It seems not so long ago that I returned to Wakefield, my hometown, after living in New York City for thirty-six years. This year, the Opera Club of Wakefield celebrates its tenth anniversary, a milestone that fills me with gratitude and wonder.
While in New York City, I worked in promotion and sales of classical recordings and was a guest host on several radio stations during the 1970s and 1980s, interviewing opera singers and sharing my love of the art form. When I returned to Wakefield, I began exploring ideas in search of a new purpose, something meaningful I could share with other like-minded people. One question kept returning: Why not start an opera club?
I turned to one of the great treasures of our community, the Lucius Beebe Memorial Library, and applied for space to hold meetings devoted to the wonderful world of opera. From the very beginning, the library staff have been incredibly helpful and supportive. That first step was taken in January of 2016.
With the exception of the period of the COVID lockdown, we have met regularly ever since. The Opera Club began as an outside program using the Lecture Hall, and a few years ago it proudly became an official library program. I have had the privilege of joining with so many others in sharing a deep and abiding love of opera.
Admission to our meetings is always free of charge, and all are welcome.
Through my research over the years, I discovered that the Opera Club of Wakefield holds a unique place nationally: it is the only regularly scheduled, library-funded opera program in the United States. This remarkable distinction reflects not only the vision that inspired the club, but also the dedication of our community and the steadfast support of the Lucius Beebe Memorial Library.
I wish to thank each and every person, whether you attend every meeting or have joined us only once, for helping to keep this program alive for ten years. There are so many people to thank, and I hope that as you read this, you recognize that you are part of what has kept our dream a reality.
Our tenth year celebration reminds me that we have continued together with joy, curiosity, and a shared journey through opera.
On a high note,
Howard Hart
email: operaclubofwakefield@gmail.com
November 2025
Dear Opera Club members,
“Why Opera? Why Not Opera!”
Due to many email requests, I will be repeating this much loved presentation for our final Opera Club meeting of 2025. This special encore edition will feature new video material and fresh insights inspired by our previous lively discussion. Don’t miss this engaging conclusion to our Opera Club season!
Many of us grew up watching cartoons or other animations that featured music from opera like Bugs Bunny conducting Figaro’s aria from Rossini’s The Barber of Seville, or hearing the overture from Rossini’s William Tell during The Lone Ranger credits. Others may recall Cher in the film Moonstruck, moved to tears during the farewell scene of Puccini’s La Bohème at the Metropolitan Opera.
So why are some people afraid of opera? Is it the foreign languages or the feeling of not knowing what’s going on?
Join us for our November Opera Club meeting as we take a light hearted look at this question. This is the perfect opportunity to bring a friend who might be curious about opera and discover together why there’s really no reason to be afraid of it.
On a high note,
Howard Hart
October 2025
“Celebrating Italian Heritage Month through Opera“
Dear Opera Club members,
October is Italian Heritage Month. In the tradition we have established, we will celebrate our love of opera with music by Monteverdi, Rossini, Donizetti, Bellini, Verdi, Puccini, and some other well-known composers. I do have some surprises which will be added to the program.
On a high note,
Howard
August 2025
Dear Opera Club Members,
I’m delighted to invite you to our August Opera Club presentation: Chestnuts in August, a celebration of beloved classics that have stood the test of time.
In the world of music, a “chestnut” refers to a piece that is widely cherished and often revisited—familiar, beloved, and enduringly enjoyable. These musical treasures are the ones we return to again and again because they never fail to move us, charm us, and bring joy to audiences.
For this special program, I’ve combed through Opera Club emails and playlists dating all the way back to January 2016. From this rich history, I’ve curated a selection of favorites—all of which were chosen by you, our dedicated members.
Date: Saturday, August 23rd
Time: 2 PM
Location: Lecture Hall, Lucius Beebe Memorial Library, 345 Main St, Wakefield, MA 01880
This will be a wonderful opportunity to reminisce, celebrate, and reconnect through the music we all love. I hope you will join us for an afternoon of timeless performances and shared appreciation.
Best wishes,
Howard Hart
March 2025
January 2025
Dear Opera Club members,
As we raise the curtain, figuratively speaking, on our 2025 Opera Club meetings, I want to wish all a very Happy New Year.
There will be some key changes in our 2025 schedule. We will have five meetings this year rather than the ten we have had previously. The presentations will also be changing with improvements in audio and video quality due to the addition of an audio-video professional who will assist during the presentations. The two most recent meetings benefitted from his participation and the feedback was very positive.
A program devoted to American singers had been planned in 2020 but the pandemic resulted in the cancellation of our club meetings during that period. Prior to that I had given a presentation featuring Mario Lanza that was very popular and members were enthusiastic about hearing more American singers both past and present. In response, our next meeting will feature these, including classic performances from The Ed Sullivan Show and from The Firestone Hour. You’ll see and hear quite a few singers who haven’t appeared in prior club meeting presentations.
In addition to the musical performances, I plan to include video interviews with some of the singers who are heard in these selections. These are either interviews that I have done myself or that have been compiled from other sources. I’ve included such interviews in our last two meetings and the response was very positive. You can expect to see more of these in the future.
I look forward to seeing you on January 18 to wish you a Happy New Year in person and to give you more details about upcoming meetings of our Opera Club.
On a high note,
Howard Hart
November 2024
Dear Opera Club members,
Please join us for our final meeting of 2024. “Final Scenes of Operas” will be our presentation. The October meeting was attended by members who were with us in January 2016; it was a joy to see them as well as a number of new members. In October we also introduced a new approach for the structure of our meetings. We used interview segments from singers describing the action of the opera followed by the video in which they perform, which received a lot of positive feedback from members.
This coming year there will be five Opera Club of Wakefield meetings. The meetings will have a new look with some exciting surprises to be added to our journey. The dates for the five meetings will be announced in January 2025. We have worked on improving the sound quality as you will experience on November 30.
This is some of the good news as we continue our shared journey in opera. I hope to see you on Saturday November 30 at 2 PM.
On a high note,
Howard Hart
October 2024
September 2024
July & August 2024
This will be the final meeting of The Opera Club of Wakefield until autumn as we will observe our annual summer intermission during July and August. I will stay in touch by email but please note that we will not meet during these two months. I hope to see you in September. Have a great summer!
June 2024
Dear Opera Club members,
Please join us on June 22nd for an adventurous exploration of comedy in opera. We will hear scenes from Gioachino Rossini’s The Barber of Seville and La Cenerentola (based on the Cinderella story). In watching scenes from these operas, we will discover that opera isn’t always tragic; it can also include fun and comedy. We’ll follow the antics of Figaro, the title character in The Barber of Seville, and also experience the joyous finale to La Cenerentola.
This will be the final meeting of The Opera Club of Wakefield until autumn as we will observe our annual summer intermission during July and August. I will stay in touch by email but please note that we will not meet during these two months. I hope to see everyone on June 22.
On a high note,
Howard Hart
May 2024
Dear Opera Club members,
Many club members have requested that we watch a complete opera at one of our meetings. Most operas are two or more hours in duration which exceeds the time allotted for our meetings. This year, in celebration of the centennial of the death of the great composer Giacomo Puccini, we will watch his one-act opera Il Tabarro. This work is the first in his triptych of three one-act operas called Il Trittico. The opera is sung in Italian and will include English subtitles.
Why not join us and bring a friend as we continue our shared journey in opera. There will be a Q&A and group discussion following the viewing of the film. I hope you can join us.
On a high note,
April 2024
Dear Opera Club members,
Join us as we commemorate the centennial of the death of the great composer Giacomo Puccini. Our program will be scenes from his operas on video. All the scenes presented will include English subtitles. We will have a group discussion after the presentation.
Please note that this Opera Club meeting will be held on Sunday, April 14, at 2 PM. We will return to our regular Saturday schedule for May and June meetings.
I hope to see you for our celebration of Giacomo Puccini!
On a high note,
Howard Hart
March 2024
February 2024
Dear Opera Club members,
French opera will be the topic for our February meeting. I’ve selected a variety of works by different composers that reflect the wealth of different musical styles for this genre. These will include some well-known works but also some unusual operas that aren’t seen as frequently. One thought that occurred to me was to show contrasting arias from the same opera. In this case, we’ll see how this plays out in Bizet’s Carmen. We’ll also be able to experience radically different productions of this work and see how that can affect our experience of the music. I expect that many will recognize some of the popular melodies from these operas (from movies or commercials) even if you didn’t know their origins. We’ll watch scenes from operas by Bizet, Berlioz, Gounod and Massenet. All will feature English subtitles.
On a high note,
Howard Hart
January 2024
A TRIBUTE TO MARIO LANZADear Opera Club members,
Please join us for our presentation spotlighting the career and life of Mario Lanza on Saturday, January 20, 2024, at 2 PM.
The Lucius Beebe Memorial Library
345 Main Street, Wakefield, MA 01880
Lecture Hall
Free Admission
Many famous operatic singers have praised Mario Lanza.
“Lanza’s passion and the way his voice sounds are what made me sing opera.” Placido Domingo
“If I am a singer, it is thanks to Mario Lanza.” Jose Carreras
Other tenors, such as Luciano Pavarotti, Roberto Alagna, Vittorio Grigolo, and Joseph Calleja, attribute hearing Mario Lanza sing as key, and even pivotal, to their choice to pursue a singing career.
Of Lanza the legendary Australian soprano Dame Joan Sutherland, after hearing him at Royal Albert Hall in London on January 16, 1958, said, “We are both surprised at the voice…We were also surprised by Lanza’s innate musicality. No doubt he could have had an outstanding operatic career.”
I hope to see you for our first opera club meeting of the new year.
On a high note,
Howard Hart
Happy New Years 2024
A NEW YEAR’S WAVE to all Opera Club members and friends!May 2024 bring peace, joy and many good things!(photo of Maria Callas in Venice circa 1957)
Our next Opera Club meeting will be on Saturday, January 20,2024,at 2 PM. I look forward to continuing our shared journey in opera with you.
On a high note,
Howard Hart
Newsletter for September through December 2023
Dear Opera Club members,
I hope you’re all enjoying these great final days of summer. I also hope that you are rested, revitalized, and ready to continue our journey in opera.
Opera Club meeting September 23, 2023
“Who’s Afraid of Opera?”
There were so many email requests to do a repeat presentation around this topic so I will do another for our Fall return to the Opera Club. Many of us grew up watching cartoons or other animations that include music from opera. Examples include Bugs Bunny conducting Figaro’s aria from Rossini’s Barber of Seville or hearing the overture from the same composer’s opera William Tell during the credits for The Lone Ranger. How many of us saw Cher in the movie Moonstruck where she was taken to The Metropolitan Opera to see Puccini’s La Bohème by her soon-to-be lover and shed a tear at the scene of farewell in the opera. So why are some people afraid of opera? Is it the foreign languages or perhaps the stigma of not knowing what’s going on? Join us for our September Opera Club meeting as we investigate this question. Why not bring a friend who might be curious? You can anticipate a light-hearted approach to the question of fear of opera. This is the perfect program to bring a friend who might be interested in investigating opera.
Opera Club meeting October 28, 2023
“Celebrating Italian Heritage Month with Opera“
October is Italian Heritage Month. In the tradition we have established, we will celebrate our love of opera with music by Monteverdi, Rossini, Donizetti, Bellini, Verdi, Puccini, and some other well-known composers. I do have some surprises which will be added to the program.
Opera Club meeting November 25, 2023
Topic to be determined
I am investigating a few interesting possibilities for this presentation and will post more information in the next month. The date is set with the library so you can mark it in your calendars.
Opera Club meeting December 16, 2023
“Celebrating the 100th Anniversary of the Birth of Maria Callas“
December 2, 2023, is the 100th Anniversary of the birth of Maria Callas. Why not celebrate it as a group together? Our opera club will once again give its consideration to a soprano who is a personal favorite of mine and of many of our club members. Although I saw her only once, during her final concert tour, on February 27, 1974, at Symphony Hall in Boston, it is a never-to-be-forgotten memory that I will always cherish. It was to have been a joint concert with Giuseppe Di Stefano. Though the tenor canceled, the fans were there for their beloved Maria. The occasion marked the first time she sang “Sola, perduta, abbandonata” from Puccini’s Manon Lescaut in live performance.
I will present audio and video performances from La Divina’s career, but you will also hear Maria’s life story as told by the woman herself in live video interviews from different periods of her life. Naturally, we will hear the aria “Vissi d’arte” (from Puccini’s Tosca) performed by Callas as it is a culmination of the joys, sorrows, triumphs, and disappointments in the life of a woman and singer who lived for her art.
Maria Callas (born in Manhattan, December 2, 1923; died in Paris, September 16, 1977) lives in the hearts of opera lovers forever. Callas has often been quoted making comments about both her artistry and her life as a woman. The quote that most deeply touches me is the following, “I am a creature of destiny. Destiny chose me, wanted me this way. I am outside of myself and watch my life from the outside.”
All meetings will be held at the Lucius Beebe Memorial Library on the Saturdays as announced from 2:00 PM to 3:30 PM. Dates for the opera club meetings through the end of the year can be found on the library’s calendar of scheduled programs.
Lucius Beebe Memorial Library
345 Main Street
Wakefield, MA 01880
(871) 246-6334
On a high note,
Howard Hart
June 2023
Dear Opera Club members,
As we come to our halfway point in this year’s journey in opera I am pleased to report that our opera club has several new members. Many members who started with us in January 2016 have returned to celebrate the glories of opera.
Our June opera club meeting will be focused on “Final Scenes from Opera”. There may be some surprises for some of you and the final selection will be a joyful one so that we will once again end on a high note.
Special note: This is our final meeting before our summer intermission during July and August.
I hope to see you all on June 17.
On a high note,
Howard Hart
May 2023
Dear opera club members,
Please join us for Members’ Choice – Favorite Opera Arias. Let us know if you plan to attend the May 27th meeting and hear your favorite aria. This meeting is dedicated to the enjoyment of members’ favorites. So, let me know which aria you would like to hear by responding to this email. If you would like to request an aria, please type in the title and I will do the rest. If you have a specific performance by a specific artist in mind, please provide that information. All the selections will have English subtitles. We will have a discussion after the arias are presented. At the conclusion, we’ll take a vote among members to see if there’s interest in repeating this type of program.
As a special note of greeting, we have had eleven new members in attendance at our meetings since January 2023. Again, a special welcome to each of you.
On a high note,
Howard Hart
April 2023
Dear Opera Club members,
Please save the date for our opera presentation on April 22. This is the first time in our opera journey that we will essay the remarkable opera by Verdi, Nabucco. Based on actual historical events, Nabucco was an early success for Giuseppe Verdi and has remained in the repertoire of the great opera houses. The presentation in April will differ from earlier ones in that the video source is neither found on YouTube nor has it been streamed in this country, to my knowledge. The opera’s most famous highlight, the chorus “Va pensiero”, will be included. We’ll discuss its special meaning for Verdi and its historical context. Hope to see you on April 22th at 2 PM.
On a high note,
Howard Hart
March 2023
Dear Opera Club members,
Many of us grew up watching cartoons or other animations that include music from opera. Examples include Bugs Bunny conducting Figaro’s aria from Rossini’s Barber of Seville or the overture from the same composer’s opera William Tell during the credits for The Lone Ranger. How many of us saw Cher in the movie Moonstruck where she was taken to The Metropolitan Opera to see Puccini’s La Bohème by her soon-to-be lover and shed a tear at the scene of farewell in the opera. So why are some people afraid of opera? Is it the foreign languages or perhaps the stigma of not knowing what’s going on? Join us for our March 18th opera club meeting at the library as we investigate this question. Why not bring a friend who might be curious? You can anticipate a light-hearted approach to the question of fear of opera.
On a high note,
Howard Hart
February 2023
Dear Opera Club members,
In most endeavors where celebrity is involved, fame is fleeting. How many of us can recall which film won the Academy Award for Best Picture five years ago or which team won the World Series? This phenomenon is true for opera singers as well.
There are iconic figures such as Enrico Caruso and Maria Callas that survive in popular culture but, for the most part, current singers are lionized and those who have retired or passed on fade from view. Fortunately, the artistry of many singers survives in recording, film, and television. Popular singers in the 50s and 60s were frequent guests on shows such as The Ed Sullivan Show, The Bell Telephone Hour, and The Voice of Firestone. This program will explore some of the most renowned singers of an earlier era through the visual record that survives. By popular request, I’ll be including Beverly Sills in this survey. She is perhaps not truly forgotten but those of us with long memories can recall when she was “America’s Queen of Opera” and she’s surely deserving of our attention.
Please join me on February 25 for this retrospective on “Forgotten Singers”.
On a high note,
Howard Hart
Newsletter January 2023
Dear Opera Club members,
Happy New Year to all!
As the curtain goes up, figuratively speaking, at our opera club meetings for 2023, the work begins. Work has already commenced on preparing the agendas for the new year. To begin, topics for presentations were formulated. The library assisted in coordinating the calendar and dates are now set for our club meetings through the end of the year. Jim Sellers (a/k/a Giacomo Venditore), our brilliant graphic artist who has created all the artwork to accompany the email announcements as well as the posters seen in the Lucius Beebe Memorial Library, local shops, and newspapers, sprang into action. Wonderful artwork has been designed for our opera club.
Now my challenging work really begins. I’ll investigate and collect various audio and visual selections for the six Opera Club meetings in the first half of the year, prior to the summer break in July and August. These challenges can be daunting but, to be honest, I enjoy them. As Agatha Christie’s sleuth, Hercule Poirot, says, “It’s good for the gray cells.” The length of each selection must be established, musical balance has to be considered, and the English subtitles that most club members prefer must be confirmed. I’ll be sending in-depth information at a later date for the upcoming presentations but want to share the first two presentation topics with you now. On January 28th the topic will be William Shakespeare & Charles Gounod: Romeo and Juliet/Roméo et Juliette – Scenes from the Play and Opera. We’ll watch scenes from the play, such as the well-known “Balcony Scene”, and the corresponding scene in the opera (shown with English subtitles). We’ll also sample some of the opera by itself. Join us as we investigate the parallels between the play by Shakespeare and the opera composed by Gounod.
On February 25th we’ll be considering Forgotten Opera Singers “Remembered”. We will go back in time to sample some of the legendary singers who now appear to be forgotten. Long before HDs and live streamed opera performances, these singers were well-known and beloved by the public. Join us for this tribute. Detailed information will follow at a later date.
I hope you will put these dates on your calendar and look forward to seeing you at our opera club as we continue our journey in opera.
On a high note,
Howard Hart
January 2023
Dear Opera Club members,
On January 28th the presentation will be William Shakespeare & Charles Gounod: Romeo and Juliet/Roméo et Juliette – Scenes from the Play and Opera. We’ll watch scenes from the play, such as the well-known “Balcony Scene”, and the corresponding scene in the opera (shown with English subtitles). We’ll also sample some of the opera by itself. Join us as we investigate the parallels between the play by Shakespeare and the opera composed by Gounod.
A Happy New Year to all!
On a high note,
Howard Hart
December 2022
Dear Opera Club members,
Our opera club will once again give its consideration to a soprano who is a personal favorite of mine and of many of our club members. Although I saw her only once, during her final concert tour, on February 27, 1974, at Symphony Hall in Boston, it is a never-to-be-forgotten memory that I will always cherish. It was to have been a joint concert with Giuseppe Di Stefano. Though the tenor canceled, the fans were there for their beloved Maria. The occasion marked the first time she sang “Sola, perduta, abbandonata” from Puccini’s Manon Lescaut in live performance.
I will present audio and video performances from La Divina’s career but you will also hear Maria’s life story as told by the woman herself in live video interviews from different periods of her life. Naturally, we will hear the aria “Vissi d’arte” performed by Callas as it is a culmination of the joys, sorrows, triumphs and disappointments in the life of a woman and singer who lived for her art.Maria Callas (born in Manhattan, December 2, 1923; died in Paris, September 16, 1977) lives in the hearts of opera lovers forever.
Callas has often been quoted making comments about both her artistry and her life as a woman. The quote that most deeply touches me is the following, “I am a creature of destiny. Destiny chose me, wanted me this way. I am outside of myself and watch my life from the outside.”I hope to see you on December 17th.
On a high note,
Howard Hart
November 2022
Dear Opera Club members,
It has been my desire to introduce new approaches to our shared journey in opera.
One area we have not explored previously is opera composed to librettos written in English. One of the first well-known composers to write a popular opera with an English-language libretto is Henry Purcell. We will hear the great Lament from his opera Dido and Aeneas. Additionally, we’ll hear delightful and lovely selections from George Gershwin’s Porgy and Bess, Leonard Bernstein’s operetta Candide and Gilbert and Sullivan’s comic opera The Mikado. We will investigate some of Gian Carlo Menotti’s beautiful operatic scores as well. The selections for this presentation include English subtitles that will enhance our appreciation of the texts.
On a high note,
Howard Hart
October 2022
October is Italian Heritage Month. In the tradition we have established in the past we will celebrate our love of opera with music by Donizetti, Bellini, Verdi, Puccini, and some other well-known composers.
September 2022
Dear Opera Club members and friends,
This past summer I read Prosper Mérimée’s novella Carmen, the story upon which Georges Bizet’s opera of the same name is based. It had been 30 years since I read the novella and I was astonished to find that the story was far more complex than I had remembered from my earlier reading. The thought occurred to me that I could present musical examples that illuminated some of these complexities and allow listeners to hear and see how they would react to the experience. The presentation will include selections from each of the four acts of Carmen, each with a different interpreter of the title role. These will include notable recent singers who have placed their unique stamp on this role and who demonstrate the variety of ways in which this character can be presented. Join us this Saturday to experience “The Many Faces of Carmen”. The next time you attend a performance of Bizet’s Carmen in the opera house, see an HD in the movie theater, or listen to a recording, you may have a richer understanding of the character of Carmen and see her in a different light.
I hope to see you this Saturday.
On a high note,
Howard Hart
July/August 2022
The Opera Club is on intermission for the months of July and August. We will resume in September. If you would like to be put on the mailing list, please email me at speakingopera@gmail.com
June 2022
Dear opera club members,
As we come to our halfway point in this year’s journey in opera I am pleased to report that our opera club has several new members. Many members who started with us in January 2016 have returned to celebrate the glories of opera.
Our June opera club meeting will be focused on “Final Scenes in Opera”. There may be some surprises for some of you and the final selection will be a joyful one so that we will once again end on a high note.
Special note: This is our final meeting before our summer intermission during July and August.
I hope to see you all on June 25.
Howard Hart
May 2022
Dear opera club members,
The following is an article from The Wakefield Daily Item written by Gail Lowe that was mentioned during our meeting on June 25th. Regrettably, I wasn’t given the opportunity to proof the copy and the title of the opera, Il Tabarro, is misspelled in the headline. Nonetheless, it’s a nice article and I am forwarding it as promised.
Best wishes for a nice weekend,
Howard Hart
Dear opera club members,
Our journey within the opera club in the last few months has covered a variety of locales. We’ve been to Scotland in the 11th century in and around Macbeth’s castle for intrigue, murder, and madness as told by Giuseppe Verdi, inspired by Shakespeare’s play. We then traveled to Seville in sunny Spain for humor and romance in the 17th century in Gioachino Rossini’s The Barber of Seville. Now we are off to Paris by barge on the River Seine in the year 1910 where we will encounter an amorous triangle that includes passion, love, and desire as well as sadness and tragedy. The opera is Giacomo Puccini’s Il Tabarro, the composer whose genius comprises rich orchestral writing and verismo (true to life) storytelling. This is the first of the three one-act operas that make up Il Trittico.
The club has a bit of history with this work. On May 28, 2016, during the first year of our club, we presented Puccini’s Il Tabarro. On the same month and date six years later, we will view a new and very exciting performance of the same opera (with English subtitles).
The complete opera times at just under an hour and will be followed by a discussion and Q&A. As a reminder, it is no longer necessary to pre-register for our opera club meetings
Special note: There are only two more opera club meetings (May and June) before our summer intermission during July and August. I hope to see you all on May 28th.
On a high note,
Howard Hart
April 2022
Dear opera club members,
Spring is here and what better way to add some joy to your life than by joining us in our journey in opera on Saturday, April 23rd, at The Lucius Beebe Memorial Library. The opera for April is Il Barbiere di Siviglia (The Barber of Seville). We’ll watch Rossini’s beloved opera with English subtitles (with the library’s new audio video equipment) and see many of the famous scenes that have made it so popular with the opera-going public. The main character, Figaro, is a busy factotum and we’ll be interested to see his matchmaking between Rosina and Count Almaviva (disguised as the student Lindoro and later as a tipsy soldier). There are many shenanigans going on with Figaro in the middle of it all, making it one of the truly great comic operas. I hope to see you at our opera club meeting. Put some joy into your life with opera!
Howard Hart
March 2022
Dear opera club members,
We continue our journey in opera with Men of the Theater – Verdi and Shakespeare. We’ll hear music from Macbeth, the first of three operas written by Verdi based on plays by Shakespeare. The other two are Otello and Falstaff (The Merry Wives of Windsor, King Henry IV). Verdi had definite plans for an opera based on King Lear but it never came to fruition. Come join us as we investigate the similarities between the play by Shakespeare and the opera composed by Verdi.
Update- It is no longer necessary to register to attend opera club meetings.
I look forward to seeing you on March 26th and hope all is well.
Howard Hart
February 2022
Dear opera club members,
Please join us for Members’ Choice – Favorite Opera Arias. Let us know if you plan to attend the February 26th meeting and hear your favorite aria. This meeting is dedicated to the enjoyment of members’ favorites. At a previous club meeting on September 30, 2017, we heard arias, duets, trios, and various ensembles and it was very well-received by our group. So, let me know which aria you would like to hear by responding to this email. If you would like to request an aria, please type in the title and I will do the rest. If you have a specific performance by a specific artist in mind, please include the YouTube link or attach an mp4. Please note that the selection must have English subtitles. We will have a discussion after the arias are presented. At the conclusion, we’ll take a vote among members to see if there’s interest in repeating this type of program.
As a special note of greeting, we have had seven new members in attendance at our meetings since October 2021. Again, a special welcome to each of you.
Due to the Covid-19 restrictions that have been put in place by the town of Wakefield, there is a mask mandate for the library. It has also been determined that, to assure a safe environment for our meeting, it will be necessary to register to attend prior to the meeting. This can be done by going to the library website. You will find it on the calendar for January. Should you have any problems you can contact the library and they will walk you through the necessary steps for registration to attend the meeting.Hope to see you on February 26th.
Howard Hart
January 2022
Dear opera club members,
Happy New Year greetings. May this year bring each of you joy, good health, and wonderful new adventures. Life is an adventure with many destinations. Thank you for making our opera club one of those destinations; one where you can collect cherished memories that we share together on our journey in the love of opera.
French Opera will be the topic for our January meeting and the choice was strongly influenced by the response of members to the scenes from Les Troyens by Berlioz that we watched during our November meeting. As you may recall, Anna Caterina Antonacci portrayed Cassandra, King Priam’s daughter, who possessed the ability to see the future and predicted the downfall of Troy and the danger of the Trojan Horse. There was a substantial amount of applause from members at the conclusion of the three scenes we saw. Some members mentioned at the time that they would enjoy experiencing more French opera.
I haven’t focused on the world of French opera in previous meetings so the subject will be a new one for us. I’ve selected a variety of works by different composers that reflect the wealth of different musical styles for this genre. These will include some well-known works but also some unusual operas that aren’t seen as frequently. One thought that occurred to me was to show contrasting arias from the same opera. In this case, we’ll see how this plays out in Bizet’s Carmen. We’ll also be able to experience radically different productions of this work and see how that can affect our experience of the music. I expect that many will recognize some of the popular melodies from these operas (from movies or commercials) even if you didn’t know their origins. We’ll watch arias and duets by Berlioz, Bizet, Delibes, and Massenet. I’m saving Gounod’s wonderful Faust for a later program. All will feature English subtitles.
Our opera club meeting will take place on Saturday January 22, 2022 from 2:00 until 3:30. Due to the Covid-19 restrictions that have been put in place by the town of Wakefield, there is a mask mandate for the library. It has also been determined that, to assure a safe environment for our meeting, it will be necessary to register to attend prior to the meeting. This can be done by going to the library website. You will find it on the calendar for January. Should you have any problems you can contact the library and they will walk you through the necessary steps for registration to attend the meeting.
I look forward to seeing you and hope all is well.
Howard Hart
December 2021
Dear opera club members,
As we approach the mid-point of our group’s third year, the opera club will once again give its consideration to a soprano who is a personal favorite of mine and of many of our club members. Although I saw her only once, during her final concert tour, on February 27, 1974, at Symphony Hall in Boston, it is a never-to-be-forgotten memory that I will always cherish. It was to have been a joint concert with Giuseppe Di Stefano. Though the tenor canceled, the fans were there for their beloved Maria. The occasion marked the first time she sang “Sola, perduta, abbandonata” from Puccini’s Manon Lescaut in live performance.
I will present audio and video performances from La Divina’s career but you will also hear Maria’s life story as told by the woman herself in live video interviews from different periods of her life. Naturally, we will hear the aria “Vissi d’arte” performed by Callas as it is a culmination of the joys, sorrows, triumphs and disappointments in the life of a woman and singer who lived for her art.
Maria Callas (born in Manhattan, December 2, 1923; died in Paris, September 16, 1977) lives in the hearts of opera lovers forever.
Callas has often been quoted making comments about both her artistry and her life as a woman. The quote that most deeply touches me is the following, “I am a creature of destiny. Destiny chose me, wanted me this way. I am outside of myself and watch my life from the outside.”
On a high note,
Howard
November 2021
Dear opera club members,
On October 23, 2021, the curtain went up, figuratively speaking, on the fifth year of our opera club. The first meeting in almost two years, due to the Covid pandemic, was a great success. The response to the Italian Heritage Month opera program was very well received and a beautiful way for us to return to our shared love of opera. The new audio/video equipment was a dream come true as it made such a difference in the quality and ease of presenting and experiencing opera performances.
I feel incredibly grateful for all the love and support that our club has received through these years from club members, the community, and the library staff who provide the beautiful hall in which we have our opera club meetings at Lucius Beebe Memorial Library. I consistently make a point of acknowledging the contribution of Jim Sellers who volunteers his artistic talent by providing all the beautiful artwork and posters for our club.
In November we will explore together “Twenty-First Century Voices of Today and Tomorrow,” a program that will feature singers who are currently performing at opera houses around the world. This will include those who have already earned acclaim and prestige in the world of opera as well as singers who are currently ascending the pillar of success. All the selections we will view will come from rare sources that have been acquired by Jim Sellers and that we have not viewed in any of our previous opera club meetings. I believe that these new selections will provide a program that is interesting, entertaining, and unusual.
Our opera club meeting will take place on Saturday November 27, 2021, from 2:00 until 3:30. Due to the Covid-19 restrictions that have been put in place by the town of Wakefield, there is a mask mandate for the library. It has also been determined that, to assure a safe environment for our meeting, it will be necessary to register to attend prior to the meeting. This can be done by going to the library website. You will find it on the calendar for November. Should you have any problems you can contact the library and they will walk you through the necessary steps for registration to attend the meeting.
Future presentations will include “Great Voices of the Past – Hear Them Sing Again”. We look forward to our annual tribute to the great Maria Callas (this December’s presentation) and to a program titled “Verdi and Shakespeare – Men of the Theater” that will look at Macbeth as well as other operas written by Verdi and other composers that were inspired by the plays of Shakespeare. One of our most frequently discussed and successful presentations was one given in November 2019 when I was joined by two guest presenters, Bill DePeter and Gary Jaskula. We each presented three operetta excerpts with a brief description of each selection and the reason why we chose it. It was great fun. We heard the magical music of Franz Lehar, Johann Strauss, Gilbert & Sullivan, and others. Judging by the comments made after the presentation, and the emails I received, this proved to be one of the highlights for 2019 among members. We hope to present a sequel in 2022.
I hope to see you soon,
Howard Hart
October 2021
Dear opera club members,
I am the bearer of good news in a very challenging time. Catherine McDonald, the director of the Lucius Beebe Memorial Library, home to our opera club for the last five years, has informed me that the lecture hall where we hold our club meetings has been outfitted with incredible new audio and visual equipment. I auditioned the sound and video for several programs that we will be watching for our upcoming meeting and was overwhelmed at the quality of both. October is Italian Heritage Month. In the tradition we have established in the past we will celebrate our love of opera with music by Monteverdi, Rossini, Donizetti, Bellini, Verdi, Puccini, and some other well-known composers. I do have some surprises which will be added to the program.
Our opera club meeting will take place on October 23, 2021, from 2:00 until 3:30. Due to the Covid-19 restrictions that have been put in place by the town of Wakefield, there is a mask mandate for the library. It has also been determined that, to assure a safe environment for our meeting, it will be necessary to register to attend prior to the meeting. This can be done by going to the library website. You will find it on the calendar for October. Should you have any problems you can contact the library and they will walk you through the necessary steps for registration to attend the meeting.
I hope to see you soon,
Howard Hart
Speaking Opera 